Mustard and Mt. St. Helena

11/5/2013

Napa Valley landscape painting vineyard mustard

I've finally resolved this little painting of one of my favorite views in Calistoga! (I first painted it in a different palette and on a very different scale – at 36"x 48" – in Mustard and the Mountain.) I'd begun it some months back, posting the various stages of its development on Facebook, until I needed to stop. I'd altered the sky from yellow to blue (as part of a development I'd expected), when the painting announced that it wanted the sky to be much deeper and redder. (Yes, sometimes paintings do that – and it's always a good idea to listen to them.)

The first six stages of "Mustard and Mt. St. Helena" - the colors vary with the lighting as I photographed the painting in process.

The red glaze was too red, but – ooooh – it was lovely. I lightened it, but the painting wanted just a little more of that beautiful glaze. I'm sorry I didn't photograph that final, lovely glaze - which was a radiant coral red. I knew the sky wouldn't stay that way, but I needed to live with that color for awhile before I was ready to let go of it.

The final stage of Mustard and Mt. St. Helena combines hints of that vivid, luminous coral glaze with the orange and yellow glow of a sunset sky. This is the third time I've painted this view, and each time the beauty of the place astounds me all over again.

I'm giving a painting demonstration in Santa Rosa, California, on Wednesday for the Artists' Round Table, a Sonoma County art organization that meets monthly and features painting demonstrations, much like the Napa Valley Art Association. I'll be bringing this painting, along with some others, as one of my examples of my work. Now to decide what else to bring along....

8 Comments

Stephen Sossaman link

11/17/2013 09:50:55 am

Any plans to do a similar presentation at the Napa library? And I wonder if you have any particular taste for, or experience creating, woodblocks?

Karen Lynn

11/18/2013 05:34:41 am

I don't have any current plans to do that - I didn't realize that the Napa library scheduled painting demonstrations? Is this something they typically do connected with the art shows there?

I did give a couple of demonstrations in Napa a year ago, one for the NV Art Association, and one for St. Apollinaris School, which I enjoyed very much. I'll be posting something in the next few days about the A.R.T. demo - I still have a few more things I'd like to do with the painting.

Regarding woodblock prints - I absolutely love them, and admire woodblock printers. It's a demanding and difficult art form. Micah Schwaberow in Santa Rosa is a master - they have some work of his (at least, they did) at the Grand Hand Gallery in Napa. He also does Artrails in Sonoma County.

It requires a technical proficiency in carving that I haven't mastered, though - but I approximate as closely as I can with soft block printing. I print like a painter, though - I enjoy printing on special papers and changing and mixing new colors of ink as I progress. The soft blocks cut like butter - which I appreciate!

Stephen Sossaman link

11/18/2013 07:07:38 am

I do not know if the Napa library does art demonstrations per se, but they do have artist talks, as you probably knew long before I did. My own favorite American woodblock artist is Barry Moser, in Massachusetts, but I will be sure to look out for Michael Schwaberow's work.

Karen Lynn

12/1/2013 04:28:57 pm

My apologies for not responding before now! I've been working like mad, and am only beginning to attempt to catch up on email and my blog. Thank you for suggesting the Napa library! The St. Helena library also offers artist talks in conjunction with shows. I'm probably too late for their 2014 schedules, but I'll look into it.

Thank you for sharing Barry Moser's work! Wow - it's gorgeous. His name is familiar - I think I may have heard of him before.

The Grand Hand Gallery in Napa has a nice selection of Micah's images on their website at http://thegrandhand.com/artists-by-media/prints/micah-schwaberow/, along with a good introduction to him and his work.

You might also like the linoleum block work of Rik Olson in Sonoma County (at http:www.rikolson.com). He has even used steamrollers as presses!

Stephen Sossaman link

12/7/2013 12:40:06 pm

I appreciate your alerting us to Micah Schwaberow and Rik Olson. I checked out Schwaberow's work on Grand Hand, and liked what I saw. I will look into Rik Olson, too. I happened on a children's book by Christopher Wormell (Mice, Morals and Monkey Business, a version of Aesop) with (to me) dazzling illustrations that I would guess are not woodblock, but certainly look like woodblock. My guess is that there is an app for that, and I would love to find it. I thought that you and other colorists would like Wormell's work, too -- bold, energetic, and balanced. I wonder if you like the paintings of Tamara de Lempicka? Those philanthropists at Copperfields offer a fine Taschen collection of her work on the remainders table for the price of a mediocre lunch. I have never seen any of her paintings other than in books.

Karen Lynn

1/6/2014 07:19:50 am

You are welcome! (My apologies for not responding sooner; I was down with a cold and am only now beginning to catch up on everything.) I just got Pacific Union College's spring events calendar in the mail, and found an exhibition of Rik Olson's work listed - this month, at the Rasmussen Art gallery on campus. His opening reception is on Saturday, January 18th, and the show runs through February 8th. It says that he has studied with Barry Moser, too!

Thank you for alerting me to Christopher Wormell's work - wonderful images! Yes, you can create block print-like images digitally. I used to do it in an old version of Photoshop - you can start with a black background, and erase (using the eraser tool) everything but your image, or draw the image with very thick lines, and then carve into them with the eraser tool.

And yes, I do like the paintings of Tamara de Lempicka. If I remember correctly, Madonna is a collector of her work. I haven't seen any of it outside of books, either. I'll have to make a little trip to Copperfield's....

Daryl Jonsec link

12/3/2024 09:30:00 pm

What a beautifully written post! Your descriptions of the mustard fields and the views of Mt. St. Helena are so vivid—I could almost feel the warmth of the sun and see the golden hues stretching across the landscape. It’s amazing how nature has a way of inspiring both creativity and tranquility.

Thank you for sharing this slice of beauty and for reminding us to appreciate the simple yet profound moments that surround us. Your words are a lovely invitation to slow down and truly take in the world around us.

Karen Lynn Ingalls

12/9/2024 12:01:50 pm

Thank you, Daryl! I very much appreciate that — and that is exactly what I hope both my words and my paintings will do.

The reason I began painting landscapes (transitioning from portraits and figurative work) was to do exactly that — to help people see the beauty in the world around us that it's all too easy to miss and take for granted.

We're lucky to live on this beautiful earth — and I feel blessed to be able to create more ways to help people experience that beauty. Thank you again!

Mustard and Mt. St. Helena

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